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Each textile passes a hands-on inspection before it leaves the cooperative: fiber composition is verified against the label, seams and edges are pulled for tension, and dyes are checked for colorfastness. What reaches your home is a piece we would keep ourselves.
Every piece in the Ketlia catalog is checked against a simple set of standards: fiber composition, weave technique, dye origin, and workshop location. We do not claim certifications we cannot show. Instead, each product page lists the specific details you need to judge the piece yourself, from yarn weight to washing instructions.
We collect feedback from customers a few weeks after delivery, when the piece has been washed, used, and settled into a room. These notes reflect how the textiles behave in daily life, not just how they look in photos.
The wool blanket from Rajasthan has held up through two months of cold mornings. It keeps its shape after hand washing, and the natural dye has not faded on the side that gets direct sunlight. I use it on the sofa and it still looks as neat as the day it arrived.
The embroidered cushion from Gujarat sits on a chair that gets used every day. The mirror stitching has not loosened, and the cotton cover stays soft without pilling. I ordered a second one in a different color because the first matched the living room so well.
I was unsure about the flat-weave cotton rug in a hallway with heavy foot traffic. After three months, the edges are still straight and the pattern has not worn thin. It vacuums clean easily, which matters more than I expected.
The table runner with geometric patterns from Gujarat arrived with a small care card that explained the washing temperature. I followed it, and the fabric came out of the machine without shrinking. The colors are slightly more muted than the photos, which I actually prefer.
We bought two wool throws for the guest bedroom. The weave is dense enough to feel substantial but not heavy. One guest asked where they came from, and that led to a longer conversation about the cooperatives behind the weaving.
The cotton curtains let in soft light during the day and block the glare from the street lamp at night. The fabric has a slight unevenness that makes the room feel less manufactured. I have washed them twice and the stitching along the hem has stayed intact.